What is the RGB Color Model? What It Is & Why It’s Avoided in Printing

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Color creation is a diverse process, varying according to the medium used. It also involves different colour models, each with its colour range or gamut. RGB is one of these colour systems. Short for red, green, and blue, the RGB colour representation method emerged with the advent of the electronic age. It explains how colour works on display devices such as TV sets, digital cameras, and computer monitors.

Starting your packaging design and preparing the file for your printer are some of the best times to understand the RGB model better. Whether your project involves a custom cosmetic box, display packaging, or retail box, read on and discover how to use this colour space for your printing needs.

What is the RGB Color Model?

The RGB colour model is an additive colour model where the primary colours or light units – red, green and blue – are combined in multiple ways at different levels of intensity to produce a vivid and wide range of unique colours (known as “additive mixing”). RGB is typically used for digital graphics, where the images will only be seen on screen.

How RGB Works

As kids, we learned that red, blue, and yellow were the primary colours for producing new hues. But digital colours—or colours emitted by electronic monitors that allow us to see images—don’t work the same way.

The RGB system involves mixing different colours of light. Each colour’s light intensity ranges from zero to 255. Each colour has 256 values (including zero), resulting in 16.77 million available colours. The colour mode ranges from warm orange to cool blue.

On digital screens, tiny dots called pixels form an image, with each pixel consisting of red, green, and blue light units.

RGB as an Additive System

RGB as an Additive System

In the RGB colour model, adding or combining the primary colours or light units produces a more vivid or brighter colour.

The light source changes the brightness level of each primary colour within a pixel to create unique colours. Mixing two basic colours at full intensity produces cyan, magenta, yellow, and black—the primary ink or pigment colours.

Blending red, green, and blue light at optimum capacity or equal intensities produces white light. Meanwhile, you get black when with the absence of light. In between these extremes, combining two or three primary colours—each with a different intensity—produces the entire colour gamut.

Best Applications for RGB

Manipulating light to produce desired RGB colours happens in the digital space. Thus, the RGB mode is best for:

  • Branding (online logos and online ads)
  • Web and app design (graphics, buttons, and icons)
  • Visual content (photography for website, apps, and social media, video, and infographics)
  • Social media (profile picture and profile backgrounds)
  • Scanning documents 

Why RGB Isn’t Ideal for Commercial Printing

You can print an image set in RGB mode without making changes because today’s inkjet or personal printers have software that automatically converts them to CMYK. But the printout may be different—typically duller or less vivid—than how the colours appear on your screen.

Converting the file to CMYK using an image editing solution is still the best option. Besides, most professional commercial printers will ask you to convert your file from RGB to CMYK before they print.

Image editors such as Photoshop, Illustrator, and CorelDraw allow you to preview how your image, pattern, or design will look on paper. Moreover, such software lets you tweak your image if its appearance is way off the RGB version.

Understanding CMYK in Packaging and Print

Understanding CMYK in Packaging and Print modern colour printing press

CMYK stands for cyan, magenta, yellow, and black—the four ink colours used by most offset printing machines, such as those by Refine Packaging. In offset printing—whose market was worth $649.9 million in 2022, your design or image undergoes colour separation. This process involves four plates receiving a calibrated amount of each CMYK ink. Each plate offsets the image to a rubber blanket, which then applies the ink on the material. When the four-colour process is complete, the overlapping colours produce a single image of your original design or photograph.

Based on RGB’s additive nature, increasing your colour’s intensity brings you closer to white. Meanwhile, the CMYK model is a subtractive process—inks “subtract” brightness from white or a blank surface. Adding different colours of pigment or ink to a surface will give you a darker result. However, CMYK has a smaller 16,000-colour range compared to RGB.

Due to these differences, printouts can’t accurately represent the bright colours in designs created or photos captured using the RGB mode. Images can appear “washed out,” especially if you have “out of gamut” colours, such as neon, fluorescent, and metallic hues. You may have to make test prints and customise settings to get specific tones right for your printout.

Here’s a chart summarizing each colour system’s unique traits:

Color Mode Traits

RGB

CMYK

Number of colours

16.7 million

16,000

Color source

Light

Ink

Usage

Screen viewing, lighting for photo shoots

Printed materials

Examples

Websites, mobile apps, social media, online ads, TV programs and commercials, movies

Packaging (folding carton and corrugated boxes), labels, promotional inserts, fabric, publications, brochures, business cards 

Extended or Expanded Gamut

Process colour is another term for any of the inks in the CMYK system. In process printing, the four colours combine after the machines apply CMYK ink to your material one at a time.

Because colour consistency is important in branding, printers use additional coloured inks to achieve a closer match to spot colours. These colours are typically unique to one’s brand and chosen from the Pantone Matching System (PMS). Printers use them pre-mixed—they blend inks before printing. Pantone uses 18 base inks to create all the colours of this colour model.

Some offset printing companies use an extended gamut—CMYK + OGV, which stands for orange, green, and violet—to simulate most of the PMS colours—and closer to the digital or RGB version of a brand’s design.

How to Verify if Your Image Is in RGB Mode

Here are the steps for checking what colour mode your design or image is in:

  1. Illustrator: Go to File in the main menu, then select “Document Color Mode.”
  2. Photoshop: Go to Image in the menu bar, then click “Mode” and search for the colour profile with a check in the panel that appears on the right.
  3. InDesign: Go to Window, then tap “Color” from the drop-down menu to bring up the colour panel, which shows colours measured in percentages. You’ll find RGB percentages if you’re in RGB mode and CMYK percentages if you’re in that mode.

Prepress Process: Preparing Your File for Printing

Prepress Process Preparing Your File for Printing

The prepress stage—or the steps in preparing your packaging design for final production—is crucial in ensuring that the finished product accurately reflects your original vision and branding. 

For business owners and packaging designers, this covers creating the design, saving your file based on your printer’s specifications, and making a hard copy or printout of the design (proof). Proofing allows you to make corrections or adjustments and show your printer or box manufacturer a printed version that’s closest to your desired look. Let’s go through each step:

1. Ask your printer for the required file resolution and format for printing your design

Most printers require high-resolution (300 dpi or higher) graphics and images with clear and legible fonts. File saved at 72 dpi—the typical resolution of pictures and text on computer monitors and smartphones—will look blurry or pixelated when printed.

Also, inquire about what file format to use in saving your design. The most common file types used in printing include:

PDF (Portable Document Format)

You can view PDFs on almost any platform and device, making it a flexible format. It preserves the formatting and layout of graphics (raster and vector), fonts, and text. 

EPS (Encapsulated PostScript)

An EPS file is a vector-based format, allowing you to scale your artwork infinitely (into smaller or larger sizes) while retaining its quality. However, image-editing software is necessary for opening and editing EPS files.

AI (Adobe Illustrator)

Another vector-based file type, AI is the native format for designs and graphics created in Illustrator. Like EPS, AI supports transparency and special effects. The majority of the Illustrator software’s users come from the US (42.17%), followed by the UK (8.54%), and Germany (5.29%).

The Adobe product line dominates the graphic design software sector worldwide, with a 43% global market share.

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2. Calibrate your monitor

Check your screen’s brightness, white point, and contrast index or gamma. Doing so will reduce the disparity between your design’s appearance—on your computer screen and a test print, particularly its luminance or brightness.

The most commonly recommended brightness for prepress work is 100 candelas per square meter. This is the standard unit of measure for monitor brightness, although the acceptable range is 80 to 120 cd/m2. Meanwhile, the recommended white point—or setting that determines the colour temperature (warmth or coolness of light) of the brightest white—for CMYK reproduction is 5000 Kelvin or D50 and 5500K or D55. Monitors generally have high default or factory settings of D65, which is acceptable for images you’ll use and display online. As to the gamma levels, the range is from 1.8 to 2.2.

Besides these internal controls, you can also use monitor calibration hardware, such as Datacolour’s SpyderX Pro, X-Rite i1Display Pro, or Calibrite’s ColorChecker. These colourimeter or light-sensing devices measure the transmission of light or your monitor’s output. 

Calibrators have apps that automatically adjust your display to meet a colour profile. Some devices also assess your ambient light, which is useful when the light source in your work environment doesn’t change. Otherwise, it’s best to turn off this feature.

3. Generate a soft proof

Soft-proofing is using your monitor to view how your design—particularly its colours—will appear when printed out.  It’s not perfect, but it’s better than guessing or hoping for a nearly accurate outcome.

To determine how your design will look in CMYK, convert your file to that colour mode. Here’s how:

Adobe Illustrator 

Go to Files and select “Document Color Mode,” and click CMYK as shown in this video tutorial.

adobe illustrator soft proof document colour mode

Adobe Photoshop

Go to Edit, click “Convert to Profile,” and pick CMYK in the Destination Space as shown in this explainer video.

adobe photoshop soft proof convert to profile CMYK

Adobe InDesign

Go to File, click “Adobe PDF Presets,” and tap “[Press Quality].” Save the file and in the pop-up box that emerges, click “Output” and then choose CMYK in the Destination dropdown menu.

adobe indesign pdf file presets quality output

Select the correct material for your test print

If you wish, you can do a test print of your design to show to the printer. Use midrange to premium paper resembling your packaging material to see how the colours will show on a surface with a similar texture. Your chosen paper type and ink quality affect the appearance of your hard proof, so be sure your cartridges have enough ink.

Later, you can ask your printer if they can produce a prototype before mass production. At Refine Packaging, we include mockup creation in our client’s printing journey with us.

Statista’s latest data shows that paper and cardboard enjoy robust sales, cornering 33% of packaging material demand worldwide. Flexible plastics are close behind at 25.5%

Investing in Colors Unlocks Business Opportunities

Investing in Colors Unlocks Business Opportunities

Read our packaging definitions and glossary guide to help you get up to speed with industry terminology as you create your own custom boxes.

Choosing a high-quality and seasoned printing company to produce your packaging is a wise investment to ensure uniformity in your brand colours online and offline. 32% of consumers say that visually appealing and gift-like packaging encourages them to post images or videos of products on social media. Thus, product packaging can open doors, whether it’s a greater online presence through user-generated content or wider brand awareness through ad campaigns. Increased brand awareness can lead to ROI growth from at least 5.5% to 820% in some cases.

When comparing printers, research online testimonials and feedback about them. Request packaging samples to get an idea about the company’s capabilities.

Refine Packaging’s partner brands can attest to our team’s customer service success and eye-catching customization using our offset printing process. Upon your request, we can send you a sample from our past projects if you want to check our work quality. Our team can also produce a custom sample of your packaging before production.

Still figuring out your custom packaging options? Our in-house design team can help you decide, including exploring label and sticker applications if you prefer customised fold-and-assemble stock boxes or single-colour packaging.

Refine Packaging is the top choice for the world’s Inc 5000 and Fortune 500 companies. With super fast production times, affordable pricing, and a sky’s the limit attitude, we’ll help you turn your custom packaging into a competitive differentiator. Contact us today and a dedicated packaging specialist will guide you through every step of the custom packaging process without breaking a sweat.

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